Darkest Dungeon Review!

by on March 6, 2016

yourself that overconfidence is a slow and insidious killer.”
Dungeon is a roguelike dungeon crawler RPG that I’ve kept an eye on ever since
its release in Early Access back in February 2015. Despite being impressed after
seeing it in action at a friend’s place, I only decided to buy it after the
game was fully released and I had just gone through a streak of challenging
RPGs (out of which I could count Age of Decadence and Underrail), wishing to
see for myself whether it is such an unforgiving title as others have made it
out to be. Besides that, its Lovecraftian influences were an immediate draw and
I also wanted to find out if Nodrim’s claim that the game was far too RNG-based
was true or not.
“There is a great horror beneath the
game begins with a letter from The Ancestor, a wealthy man and owner of the
Hamlet, a residence below which lies the Darkest Dungeon. Tired of conventional
means of spending his fortune, The Ancestor came across ancient tales which
warned of a fabulous power that could be found below the Hamlet. Thus, he began
funding expeditions that eventually discovered a portal to another realm,
inhabited by all sorts of Eldritch creatures that were just waiting for an
opportunity to visit his world. The intro ends with the Ancestor’s letter to
his Heir, in which he asks him to come cleanse the Hamlet and Darkest Dungeon
from this evil.
“In time, you will learn the tragic extent of my
you’ve probably guessed, you play as the Heir and act as a contractor for adventurers
who dare to venture into the Darkest Dungeon for coin. The game is split into
two big parts: the first one involves managing the Hamlet by upgrading
different buildings and taking care of your adventurers when they’re not on
missions. The second part is, as you’ve probably guessed again, the actual
missions you can send these “heroes” on.
“Great heroes can be found even here, in the mud
and rain.”
take a look at our unfortunate adventurers, the cannon fodder. Recruitable from
the Stage Coach, they arrive weekly and are spread across 14 classes, from the
healing Vestal to the maniacal Jester or to the bulky Leper. Each class has its
own set of seven unique combat skills and seven camping skills, out of which
you can select any combination of four. Each adventurer has a few positive or
negative quirks (characteristics which affect the performance in combat or the
way they interact with special items in dungeons) and diseases, which helps to set
them apart, since the roster limit is 25 and you’re bound to have multiple
adventurers of the same class. The heroes also wear armor and weapons that can
be upgraded and up to two trinkets, and progress in levels from 0 to 6.
lesson that is difficult to be learned but is paramount to your victory in the
Darkest Dungeon is that these adventurers are expendable: there will always be
others coming on the Stage Coach with which you can replace the fallen ones. Two
observations about this: I found this to be a weakness of the game, as there is
no possible way to lose due to the fact that you’ll never run out of
adventurers of low level. However, once a high level adventurer is dead, the
hours invested in him/her are lost and you have to raise another one to that
level to cover the gap. This took a toll on my nerves, but I’ll come back to
the grindiness of the game later.
“Let us burn out this evil.”
the missions on which the heroes can be sent, there are five different regions
where these can take place, and these are the Ruins, the Weald, the Warrens,
the Cove and the Darkest Dungeon. Each region comes with its unique set of mobs
that deal certain types of damage and have different resistances (physical, CC,
bleed, blight, etc). Since you can only send four heroes on a mission, this
makes choosing the party composition very important and I have had great fun
playing around with different teams. The provisioning phase (prior to the
actual mission) also depends on the zone in which the mission takes place, as
for example the Weald has more blockages and thus needs extra shovels, whereas bleed
damage is predominant in the Warrens and journeying with plenty of bandages is
a wise choice.
“Huddled together, furtive and vulnerable, rats
in a maze.”
you select your party composition and choose your provisions, it’s time to
enter the dungeon and complete the objective. Unfortunately, there isn’t a
great variation of possible objectives: most of the time you’ll either have to
slay all the creatures in the dungeon, explore a certain number of rooms or
beat its boss. Also, missions come in three categories, which determine how big
the dungeon is: short, medium and long. Nonetheless, the time spent in the
dungeon is split in doing two things: exploring hallways and rooms and battling
the horrors you come across. In the exploration phase, you come across Curio
items on which you can use specific provisions to obtain positive effects (if
you came prepared; if not, they’re better left untouched!). A few negative
quirks come into play here, as for example kleptomaniac heroes may choose to
keep the loot for themselves, which I thought was brilliant. There’s also an
interesting mechanic in which you manage the light level in the dungeon by
using the torches you have brought with you. At lower levels of light, enemies
hit harder, are more likely to crit and drop more loot, while your heroes are
stressed more easily (I’ll talk about stress in a bit), whereas at higher
levels of light the opposite is true. This leaves you with a tough choice: do I
choose the risky and dark path for higher gains or do I play it safe and make
less profit?
“Fear and frailty finally claim their due.”
stress I’ve mentioned a few moments ago is one of the best mechanics of Darkest
Dungeon, which pays a special attention to the mental sanity of the adventurers
that no other dungeon crawler RPG does. Besides making sure that the heroes are
not wounded mortally (which means reaching 0 hp), you also have to watch their
stress level, which ranges from 0 to 200. Stress can be gained in multiple
ways: lack of light provided by torches, enemies using stress-inducing attacks
or scoring crits on their attacks, and even having to clear blockages with your
hands because you forgot to bring shovels or having no more food when you’re
hungry. A hero that reaches 100 stress has becomes either Afflicted (for
example, one of the Afflictions is Masochistic, where the hero can refuse to be
healed) or Virtuous. Reaching 200 stress causes a heart attack that brings you
on Death’s Door, a state in which you have 0 hp but further hits have a chance
of ending you. Of course, there are plenty of ways to reduce stress: certain
classes like the Jester have stress healing abilities, you can visit and spend
a week in the Abbey or the Brothel in the Hamlet, or you can camp in the middle
of a medium or long dungeon. The stress mechanic works so well that I often
wondered why it isn’t present in other games like this. After all, it makes so
much sense, as constant battle with monsters should take a toll on the
combatants that’s more than just physical.
These nightmarish creatures can be felled,
they can be beaten!”
covered both dungeon exploration and stress, let’s talk about the actual
combat. The way it works is that both sides have 4 positions, from the first
labelled with 1 to the last labelled with 4. Each class skill can be used from
a set of positions on the player’s side and affects a set of positions on the
enemy’s side. As I’ve mentioned before, it is great fun to figure out different
party compositions with adventurers that take advantage of certain positions,
as there are also synergies between different classes (for example, the
Houndmaster can mark a target and the Bounty Hunter can collect a bounty of
that target, dealing double damage; or a Jester buffs the party with extra
attack Accuracy, thus covering the major weak spot of the Leper, his low
Accuracy). Naturally, you would have a healer or ranged adventurer in the back
(a Vestal or Occultist or an Arbalest) and a frontliner in the first position (the
tanky Man-at-Arms or Leper), but the possibilities are ample.
is turn based, with each side attacking in turn with its members, although the
Speed stat can determine how often/fast each of those members attacks. I have to
say that I enjoyed the boss fights in Darkest Dungeon, which all come with
interesting and different mechanics while being pretty difficult. Out of them,
my favourites are Brigand Pounder (a cannon accompanied by a squad of soldiers
where you must prevent the Matchman from firing it, unless the party takes
massive damage) and the Swine Prince (who is accompanied by Wilbur, a piglet who
marks party members for extra damage and enrages the boss if attacked, causing
his attacks to become AoE). Overall, combat is very challenging (although sometimes
RNG can screw you royally) and I found it important to always enter a dungeon
prepared with a party composition that takes advantage of the weaknesses of the
enemies specific to that type of zone. You also have to learn which enemies should
be focused first and when it is better to CC or heal rather than deal straight
damage. Failure to learn these lessons will result in heroes permanently dying,
since the game has only one save slot and autosaves often, hence its
unforgiving nature.
“A little hope, however desperate, is never
without worth.”
completing a mission or perhaps failing it and retreating from the dungeon, your
wounded and stressed heroes return to the safe surroundings of the Hamlet with loot
that can be used to upgrade the different buildings, which in turn can be used
to heal their stress and upgrade their gear or skills. There are five different
resources which are used to, well, do anything in the game, and they are
obviously acquired by completing dungeons. Gold is necessary for upgrading weapons,
armors and skills, buying trinkets and provisions. The other four resources
(portraits, busts, deeds and crests) are used to upgrade all the buildings in
the Hamlet. For example, the Blacksmith can be upgraded to reduce the cost of
weapons and armors, but also to unlock upper levels of those items which deal
increased damage and offer better protection (armors and weapons come in levels
from 1 to 5 and are wearable by an adventurer of the same level). Skills work exactly
in the same fashion and are trained or upgraded at the Guild. There’s also a
Sanitarium in which heroes can spend a week and lock a positive quirk (for a
hefty amount of gold) or remove a negative quirk or disease. All in all, managing
the Hamlet provides a welcome distraction from the stressful adventuring
through the dark dungeons.
“A victory, perhaps a turning point.”
gameplay out of the way, we’ll take a look at the presentation of the game. Darkest
Dungeon excels from both a graphical and audio perspective. The visuals are
impressive, albeit simplistic, conveying the decadent current state of the
Hamlet and of the dungeons you explore. One of the most memorable experiences
in Darkest Dungeon took place when I ran out of torches towards the end of a
dungeon. Gradually, the light drowns out and darkness takes over, making the
enemies appear more dangerous than ever yet also immersing me in the
atmosphere. The attack animations are also very well done, carrying a lot of
weight, making the exchange of blows seem visceral and offering momentum to the
battle. In terms of audio, I personally love the soundtrack, although I’ve read
several opinions that think it’s mediocre. The Hamlet track is melancholic,
evoking the times prior to the Ancestor’s unfortunate discovery of the evil
that lay below. I also really like Combat in the Ruins, which managed to make
my heart pump every single confrontation in the Ruins when it played. However, my
favourite is A Brief Respite, the track which plays when the party camps during
a dungeon, which undoubtedly suggests the dreadful situation in which the group
finds itself, surrounded by enemies and bunched around a small campfire.
Besides the soundtrack, the sound effects are on point: weapon and creature
attacks, stepping on a trap or the Jester playing his lute and buffing the
team. But the real star in terms in terms of audio is Wayne June, the narrator of
the game and the one who plays the Ancestor. You’ve probably noticed the quotes
that are all over this review: Wayne June’s incredible voice taunts the player with
these lines at every step, creating an absolutely immersive and tense
atmosphere. Discovering him has been one of the best things I got out of
playing Darkest Dungeon, and I recommend you check out his other works (his
interpretation of The Raven by Edgar Allan Poe is excellent and can be found on
Soundcloud, as well as a few other interpretations of Lovecraft stories).
“More dust, more ashes… more
the positive tone of this review so far, I cannot recommend this game
wholeheartedly and it’s time to discuss why. Darkest Dungeon has a few big
flaws that can make it unappealing for some players. One of these flaws is that
the game is incredibly grindy: remember how I said that heroes start from level
0 and can go up to 6, the recommended level for the Darkest Dungeon, which is
the ending zone? I believe that the game is three times longer than it should
be, because there are three levels of dungeons: Apprentice (from level 0 to 2),
Veteran (from level 3 to 4) and Champion (from level 5 to 6). In 35 hours, I
managed to build an entire roster (25 heroes) up to level 3 and gear them up
appropriately for that level (trinkets and correspondingly leveled gear and
skills), so I was ready for Veteran dungeons. However, these runs are exactly
the same as Apprentice ones, except more difficult. Even the 8 bosses present
in the Apprentice dungeons are copied and come back in a slightly stronger
version, and the same exact thing happens for Champion runs, totalling up to 8
bosses repeated 3 times. Of course, Veteran runs are more dangerous than
Apprentice ones and the same can be said about Champion ones compared to
Veteran, which increases your chance of permanently losing adventurers and
having to farm them back up from level 0, which costs a lot of time. The
excessive grind manifests itself in a different form as well: you need to farm
an exorbitant amount of resources in order to fully upgrade the buildings which
are necessary for you to progress to the next tier of dungeons. I also have to
mention that RNG can completely screw you up sometimes: I lost one of my level
4 adventurers in a Veteran run in a single round because all the enemies focused
attacks on him, without me having any chance to prevent this beforehand. And to
add to all that, there just isn’t enough story to support you doing the same
runs on different difficulties 3 times. You get a bit of lore detailing the
relationship between the Ancestor and a boss every time you enter the dungeon
of that boss (so 24 times), but that’s nowhere near enough for a game that
should take about 60-80 hours to finish.
“This expedition, at least, promises
Darkest Dungeon has a lot of good things to offer, yet it also has some major
flaws. I admit that I haven’t finished the game because the grind has
completely put me off. Yet I don’t regret buying Darkest Dungeon at all and I
consider that the 35 hours spent playing were more than worth its price tag.
Basically, the first third of the game is very enjoyable, but redoing that part
two more times on higher difficulties will bother anyone who has a problem with
excessive grinding and RNG that costs you hours of playing, so I would not
recommend Darkest Dungeon to those players. Leaving aside these issues, Darkest
Dungeon is a game that excels in its presentation and atmosphere, while
offering a very challenging combat system and great tactical possibilities in
the way you build your party through the synergies between different classes.
+ Excellent atmosphere, visual style and
+ Combat is tense, challenging and
+ Large pool of classes that encourages the
player to experiment with party compositions
+ Different dungeon areas that require
different tactics
+ Challenging bosses that require some
thought in order to be defeated
+ Interesting and original mechanics such
as stress and light management
+ Wayne June!
– Incredibly repetitive and grindy
– Bad RNG can erase hours of playing
– There is no way to lose the game
– Lack of mission variety
– Not enough story


The game is balanced in such a way that if you go with level 4 heroes in Veteran runs some of them will die. Unless you are extremely lucky. I found that fully upgraded level 5 heroes are the only way to even consider the later dungeons.

Also you need to use trinkets that give prevention, dodge that is, with classes that have natural high dodge. That is the only way I found to combat enemies because in this game healing sucks balls.